- Curatorial intervention in the Archaeology department
- Online exhibition of Martin West collection
- Annex Residency Programme
- Health sciences turns 100
- Imperfect librarian
- Artist in Residence: Mark Dion
- Context
- UCT engineers help make medical history
- Threshold
- Centenary celebration of Hiddingh Hall library
- Historic Hiddingh Campus
- Visual Practices Across the University - a lecture by James Elkins
- The Michaelis Galleries
- A Conversation with the Bolus Collection: Science, sensibility, sensuality
- Synechdoche, Upstairs Gallery
- Kimberlite collection
- Irma Stern museum
- UCT works of art collection
- Dialogue at the Dogwatch
- 1:nineteen
- Pathology learning centre
- Forensic pathology slides
- Five: 20 – Operas made in South Africa
- M.R. Drennan anatomy museum
- Centre for popular memory
- The Bolus herbarium and library
- P.D Hahn - Chemical Engineering building
- Rare books & special collections
- Curiosity CLXXV
- AIDS archive at UCT
- Zamani project - Lalibela
- The digital Bleek and Lloyd
- Lydenburg heads
- Face value
- Kirby collection
- Similitude
- Teaching sociology with images
- Physics collection of demonstration models and Dem Online website
- Made in translation
- Subtle thresholds
1. a. Rom. Antiq. A subterranean sepulchre, having in its walls niches or holes for cinerary urns; also one of these niches or recesses.
b. A similar structure in a modern crematorium.
2. A pigeon-house, dove-cote; a pigeon-hole.
3. A hole left in a wall for the insertion of the end of a beam.
Imperfect Librarian: 12 - 26 March 2012 at the Michaelis Galleries
Clare Butcher
Andrew Putter
Jessica Brown
Joanne Bloch
Brenton Maart
George Mahashe
Jon Whidden
Presenting works-in-progress that have been developed over the past year, the group enters into 'the library' a set of unorthodox practices and materials which challenge the notion of archival practice. Taking its title from Jorges Luis Borges's short story, Library of Babel, the exhibition reflects on the unusual research paths, unruly classificatory systems and multiple dimensions operational in the production of history.
'What we hope you find as you meander through the maze of this exhibition is a set of care-full responses, manoeuvres, unfaithful facsimiles and commentaries upon commentaries which expose the support structures of history - the moments we catch sight of ourselves in the archive's mirror', reads the exhibition text.
Curator Clare Butcher's research focuses on the history of curating contemporary art in South Africa, beginning with a case study from an international exhibition exchange between Britain and South Africa in 1948. By foregrounding some of the usually unseen logistics and logics at play in the making of a contemporary art show, Butcher seeks to raise awareness of the historical mechanisms used to display 'the spirit of the now'.
Images from the exhibition.
More about the exhibition and the publication here.
Meeting 1, May 6th 2011Meeting 2, August 12th 2011







