- Curatorial intervention in the Archaeology department
- Online exhibition of Martin West collection
- Annex Residency Programme
- Health sciences turns 100
- Imperfect librarian
- Artist in Residence: Mark Dion
- Context
- UCT engineers help make medical history
- Threshold
- Centenary celebration of Hiddingh Hall library
- Historic Hiddingh Campus
- Visual Practices Across the University - a lecture by James Elkins
- The Michaelis Galleries
- A Conversation with the Bolus Collection: Science, sensibility, sensuality
- Synechdoche, Upstairs Gallery
- Kimberlite collection
- Irma Stern museum
- UCT works of art collection
- Dialogue at the Dogwatch
- 1:nineteen
- Pathology learning centre
- Forensic pathology slides
- Five: 20 – Operas made in South Africa
- M.R. Drennan anatomy museum
- Centre for popular memory
- The Bolus herbarium and library
- P.D Hahn - Chemical Engineering building
- Rare books & special collections
- Curiosity CLXXV
- AIDS archive at UCT
- Zamani project - Lalibela
- The digital Bleek and Lloyd
- Lydenburg heads
- Face value
- Kirby collection
- Similitude
- Teaching sociology with images
- Physics collection of demonstration models and Dem Online website
- Made in translation
- Subtle thresholds
1. a. Rom. Antiq. A subterranean sepulchre, having in its walls niches or holes for cinerary urns; also one of these niches or recesses.
b. A similar structure in a modern crematorium.
2. A pigeon-house, dove-cote; a pigeon-hole.
3. A hole left in a wall for the insertion of the end of a beam.
To collect and describe every kind of musical instrument made and played in southern Africa south of the Limpopo; this was the project that Percival R Kirby, the energetic head of the new Music department at Wits University conceived and set about realising in the late 1920s and 1930s. By 1934 Kirby had collected many hundreds of instruments and published his major work, The musical instruments of the native peoples of South Africa. A professor with an eye to pedagogy, he also sought out unusual instruments from Europe and elsewhere, and set up his ‘museum’ at the university. After retirement this collection was loaned to the Africana Museum in Johannesburg from 1954 until the early 1980s, when the University of Cape Town acquired it.
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