- Curatorial intervention in the Archaeology department
- Online exhibition of Martin West collection
- Annex Residency Programme
- Health sciences turns 100
- Imperfect librarian
- Artist in Residence: Mark Dion
- Context
- UCT engineers help make medical history
- Threshold
- Centenary celebration of Hiddingh Hall library
- Historic Hiddingh Campus
- Visual Practices Across the University - a lecture by James Elkins
- The Michaelis Galleries
- A Conversation with the Bolus Collection: Science, sensibility, sensuality
- Synechdoche, Upstairs Gallery
- Kimberlite collection
- Irma Stern museum
- UCT works of art collection
- Dialogue at the Dogwatch
- 1:nineteen
- Pathology learning centre
- Forensic pathology slides
- Five: 20 – Operas made in South Africa
- M.R. Drennan anatomy museum
- Centre for popular memory
- The Bolus herbarium and library
- P.D Hahn - Chemical Engineering building
- Rare books & special collections
- Curiosity CLXXV
- AIDS archive at UCT
- Zamani project - Lalibela
- The digital Bleek and Lloyd
- Lydenburg heads
- Face value
- Kirby collection
- Similitude
- Teaching sociology with images
- Physics collection of demonstration models and Dem Online website
- Made in translation
- Subtle thresholds
Columbarium
1. a. Rom. Antiq. A subterranean sepulchre, having in its walls niches or holes for cinerary urns; also one of these niches or recesses.
b. A similar structure in a modern crematorium.
2. A pigeon-house, dove-cote; a pigeon-hole.
3. A hole left in a wall for the insertion of the end of a beam.
1. a. Rom. Antiq. A subterranean sepulchre, having in its walls niches or holes for cinerary urns; also one of these niches or recesses.
b. A similar structure in a modern crematorium.
2. A pigeon-house, dove-cote; a pigeon-hole.
3. A hole left in a wall for the insertion of the end of a beam.
Curatorial intervention in the Archaeology department
The Archaeology Department’s foyer has been transformed into a permanent exhibition about the department. The installation includes materials from the department’s storerooms, personal collections from members of staff and engages with fieldwork-archives and the interpretation and curation of such materials. This project exemplifies ARC’s mandate to draw material out of the university’s columbarium and interrogate a discipline, its’ practitioners and visual methodologies through curation.
The installation was opened at a special event on 2 October, 2012.
