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The Visual University and its Columbarium.

In coupling the seemingly objective site of archive with the avowedly creative activity of curation, the strategic focus draws attention to past and present processes of the making of archives of all kinds and the creation of meanings that flowed, and yet flow, therefrom.

In the visual university the archival and curatorial effects and possibilities of visual practices are not confined to collections in formal repositories. They may be located in teaching collections in medical school, laboratory procedures in the science faculty or in tape recordings forgotten in bottom drawers. These accumulations, both purposive and accidental, along with the formally preserved archives, collectively make up the university's columbarium.

There are objects and images everywhere in the university. They are to be found in its classrooms, laboratories, storerooms and assembled collections; in the working materials and offices and of its scholars; in its constituted libraries and museums and at the heart of several disciplines. Astronomical images across the electromagnetic spectrum allow for the study of galactic phenomena not possible by other means; the diagnosis of disease is dependent on X-ray images, CAT scans and mammograms; the magnified images of grains of rock aid the construction or reliable mathematical models; various form of mapping are central to picturing both vast areas of land and revealing its history; and visual rhetoric is a growing field of criminal law.

Moreover, these images are not just illustrations of phenomena and conditions that exist elsewhere outside of human sight, they are significant sites of knowledge each requiring skilled interpreters and analysis. Such analyses are undertaken by technicians and researchers subject (as is all scholarship) to social and political forces of the times. Many, too, particularly in science, have come to define not only ideas but the prejudice and favour embraced by them, and their ability to covey understanding is so powerful that even once they are no longer viable they continue to influence public opinion. Images of the evolution of humanity are prime examples, where the familiar picture of crouching ape evolving into striding man (usually tall northern European in appearance) has entrenched ideas of determinism, human supremacy, racial prejudice and an ordered evolution, all long discarded by science. More subtly too, even the use of colour, darkness and light, convey ideas about the value of a subject.

ARC is funded by the UCT Vice-Chancellor's Strategic Funding.